The Art of Storytelling: Summer Writing Workshops & Character Sketching

Pencil and paper

WOW!  Women on Writing is offering summer workshops for writers looking to earn more income and/or hone their craft. WOW! offers tons of information, including advice, tips, blogs and other tools to help aspiring and current women writers, editors, agents and publishers.

From WOW!:

How the courses work:All of the courses operate online—whether through email, website, chat room, or listserv, depending on the instructor’s preferences—and are taught one-on-one with the instructor. The flexibility of the platform allows students to complete assignments on their own time and work at their own pace in the comfort of their own home. It’s a wonderful experience and an excellent way to further develop your skills, or to try your hand at something completely new!

The featured courses are:

Poetic Passion: Image, Story, Line And Language (Starts July 3) 

How To Get The Right Agent For Your Manuscript (Starts July 27)

Get Paid To Write: Become a Freelance Writer (Starts August 10)

Publish That Book: How To Write A Nonfiction Book Proposal That Sells (Sept. 7)

An Introduction To The Craft of Screenwriting (Ongoing)

Creating a Character Sketch (Ongoing)

Course tuition starts at $100 and varies depending on topic. All of these workshops sound promising, but I’m particularly interested in “Creating A Character Sketch.”

Anyone that knows me (or will go through edits with me) knows how deeply I feel about back story and character development. After attending Screenwriting Expo a few years ago, and reading Robert McKee’s Story, I do character sketches for all major and even some minor, but pivotal, characters.

For me, character sketching involves giving life to my character. I literally take the character from birth to my story – regardless of whether they’re 10 or 62 – in a free flow exercise that sort of becomes its own story. For example, through character sketching, I develop such things as: the character’s hometown, where they now live and how they got there; detailed physical appearance (and related issues, such as health or self-perception struggles); family history and current family status; favorites (colors, foods, hobbies, music, etc.);  strengths and weaknesses; education and career goals and missteps; personality; life goals and regrets; significant relationships; influences; major life moments; and so on.

Through this exercise, I also do research and minor back story or sketches on key characters that have impacted my character in some way. If you’ve ever played The Sims (my favorite game), you have a general sense of what I’m talking about. But in a nutshell, my character sketching involves taking my character from birth and filling in all of life’s details, moments and changes leading up to my story.

Is this exercise tedious? You betcha. And, it often leads to a lot of back story for my character. Things that won’t make it into the manuscript, but give me perspective and insight into the person that I’ve created and his or her motivations. 

To write the character, I have to understand the character. And, I’ve found that through character sketching, I usually begin with the physical surface and end up delving into the psychological, long before I actually sit down to write the story.

Follow Us on Twitta!

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We’re officially on the Twitter bandwagon. Follow me, Plenary Publishing and our newly signed authors as we twit our way to our 2010 list.

Plenary Publishing

Tieffa Harper

Cheri Paris Edwards

Brian Rhinehardt

LaTonya Jones

The Way You Make Me Feel: RIP Michael Jackson

Michael+Jackson

A week ago, I was on a Michael Jackson high, and I posted an MJ video from his Off The Wall days. The news of his death today caught me off guard, and despite his legal troubles – and the media’s dubbing of the title “Wacko Jacko” - he will always be an icon for those of us that grew up on his music.

I was having drinks with friends when the news broke, and the entire bar went quiet and became glued to the TV. After his death was confirmed, strangers went from shock to fondly recalling their favorite MJ song with other patrons.

What’s remarkable about his musical legacy is that each time someone named a song, we all agreed that it was our fave too! In other words, there are too many great songs to name as favorites, and too many memories that coincide with them. As an 80’s kid, Michael was one of the many artists that formed our life’s soundtrack long before we embraced hiphop and found our adulthood in the current soul movement. From being a young girl with a huge Michael Jackson poster on the back of my bedroom door, to owning a Michael Jackson doll, to holding the Thriller LP or donning a white glove and red leather jacket for Halloween, Michael Jackson influenced our culture in a significant way. I can remember seeing him Moonwalk (and trying to imitate him with my cousins) and the way the Thriller video scared the ish out of me and my friends when we saw it on MTV – a historical moment in and of itself.

Of course, the other tragic news is that Farrah Fawcett died today, and may her spirit rest in peace after her battle with cancer. Tonight, my iPod’s tuned up and I’m going to reminisce and celebrate Michael Jackson’s genius and legacy.

RIP MJ. And watch his videos here.

Worth Reading: Don’t Hold Obama To Race Agenda

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A couple of weeks ago, Melissa Harris-Lacewell, associate professor of politics and African-American studies at Princeton, commented on the crisis of the black public intellectual in the age of Obama. And she put it down.

In her piece, Harris-Lacewell takes to task what she calls the “soul patrol,” the group of black, male intellectuals (Tavis Smiley, Dr. Cornell West, Michael Eric Dyson and others) who are critical of President Obama’s approach to race  – which is to be race neutral instead of explicitly acknowledging race in his agenda.  

Harris-Lacewell’s criticisms center on the modern role of the black intellectual, and how, on the lecture circuit, they suggest that ”they, not Obama, are the authentic representatives of the political interests of African-Americans.” Says Harris-Lacewell:

African-Americans are now citizens capable of running for office, holding officials accountable through democratic elections, publicly expressing divergent political preferences and, most importantly, engaging the full spectrum of American political issues, not only narrowly racial ones. The era of racial brokerage politics, when the voices of a few men stood in for the entire race, is now over. And thank goodness it is over. Black politics is growing up.

There are several other wonderful points from her commentary, but instead of posting large blocks of quotes from her column, I suggest reading it in its entirety and giving her column the page hit attention that it deserves.

Related pieces that are worth reading:

Emerging Leaders Energized In The Black Community.

‘Post-racial’ America Isn’t Here Yet.

Plenary Video of the Day

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I’m feeling particularly good this morning, and I decided to post a video of the day. I haven’t done that in a minute, and I’m going back to the Michael Jackson that we all used to love.

Everytime I hear “Off The Wall,” it gets me moving. People say they miss Biggie and Pac, but I really miss this Michael Jackson. Shaking my head . . . 

Here’s a live video for your enjoyment. And if you don’t have Off The Wall on your iPod, you’re really missing out on a classic album. Mike was killing it before Thriller.

What Takes You Guys So Long?? Dang.

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This month has been crazy busy for us. We’re wearing all kinds of hats right now: baseball caps, church hats, pageboy caps, etc., as we move closer to publishing our frontlist.

Now that we’ve selected our authors for 2010, we’re in the midst of the early stages of editing, continuing to read initial submissions, pouring through full manuscripts, shaping our editorial focus and beginning to plan marketing for our new releases.  One of my favorite email questions is “why the heck does it take so long” for us to review submissions. Fair question, and I thought I’d take a second to share what’s going on behind the scenes.

The short answer is that we read everything. As I’ve said before, we’ve received a ton of submissions, and we do take the time to read each one. Not just the first few pages, but the entire submission.

In fact, at least two people read a submission before I see it, and we then discuss whether we should move forward on the author’s submission. If we request a full manuscript, it then goes to four readers who would fall in the manuscript’s general demographic, as well as me, and we later meet to discuss whether we should acquire the work. Add in the fact that because we’re small, we also have the issue of debating what to acquire from a stack of really good submissions.

Is our process crazy? Perhaps. Yes. Does it reflect my Type A nature? Absolutely. But in starting Plenary, I wanted to create a company that is open to all, and that takes each author’s work as seriously as they did when they sat down to write it. I also like to rely on my gut instincts, and, in some cases, if we’re on the fence about a manuscript, I set it aside and revisit it before making the final decision.

Ultimately, I like to get as much feedback as possible from readers with different tastes and interests because I think that one of the problems plaguing the publishing industry is content, particularly for readers of color. We’re not one-dimensional, and I want Plenary’s list to reflect what’s not being put out there.

The Morning Papers

Thomas 

Over the weekend, the Times covered Supreme Court Justice Clarence Thomas,’ and Supreme Court nominee, Sonia Sotomayor’s, stark views on race:

Judge Sotomayor celebrates being Latina, calling it a reason for her success; Justice Thomas bristles at attempts to define him by race and says he has succeeded despite the obstacles it posed. Being a woman of Puerto Rican descent is rich and fulfilling, Judge Sotomayor says, while Justice Thomas calls being a black man in America a largely searing experience. Off the bench, Judge Sotomayor has helped build affirmative action programs. On the bench, Justice Thomas has argued against them with thunderous force. 

Judge Sotomayor’s confirmation would mark the first time that the Supreme Court would include two minorities at the same time. Great article in light of the “is America post-racial” debate.

In other news . . .

Plagiarism, regardless of who it’s lifted from, is bad.

U.S. journalists get sentenced to 12 years in N. Korean labor camps.

Those crazy Buchanans are at it again.

I was officially over Will Ferrell after “Blades of Glory.” Still love Anchorman though  . . .

Single Women Can Learn a Thing or Two From Our First Lady.  

So that explains my Law and Order obsession.

Plenary Publishing Signs Authors for 2010 Launch

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If you’re following us on Twitta (and you should) we announced this morning that we signed three authors for release in 2010:

Cheri Paris Edwards: “In My Father’s House” (June 2010)

Brian Rhinehardt: “The Closest Thing To Heaven” (August 2010)

Latonya Jones: “Southern Discomfort” (November 2010) 

We’re negotiating with one more author for September 2010, and with the release of my own work, “Brand New Leaves” in February 2010, we’re planning to do it big for our launch.  You’ll be able to follow us here at The Plenary Review, as well as on Facebook, Twitter and our own blogs as we go to print and shift to our national marketing campaign. Our authors will be traveling all over the country next year, and Plenary Publishing will host several special events for our readers and supporters, as well as a big promo campaign to celebrate our official launch. It’s taking all I have not to announce it now, but the hint is that it involves travel.

This has been a tremendous and exciting process for us, and we’ve met fabulous people along the way. We’re currently reviewing submissions for 2011’s list and expect to make an announcement on that in the coming months. For those of you that have already submitted to us, we appreciate your patience and the great work that you’re sending our way. You can check out our revised Submission Guidelines at www.plenarypublishing.com.

And, for those of you that are interested in partnering with our company, whether as a freelance designer, editor, etc. please hit me up at careers@plenarypublishing.com. My friends say that I’m anal about details (lies!), but I take what we’re doing very seriously and want to produce a quality product. As part of the effort, I want to partner with other indies and creative spirits that have a dream and vision similiar to our own. The pubishing industry is in a state of flux, and now’s the time to grab it by the horns and lead it into the  future on our own terms.

Under The Radar News Coverage: Lawrence Allen

Justice 

A few months ago, I posted about the tragic shooting of Lawrence Allen by an off-duty Philadelphia police officer. Sadly, Mr. Allen passed away three months after the shooting.

In February 2009,  Dafney Tales of the Philadelphia Inquirer reported the following:

For nearly three months, Lawrence Allen fought an uphill battle to stay alive after an off-duty police officer shot him in the back.

Since the Nov. 17 shooting, the 20-year-old had been unable to breathe on his own, was paralyzed from the waist down, dropped more than half of his body weight and battled bouts of pneumonia before doctors removed his colon, said Charles Auspitz, Allen’s family attorney.

Yesterday, with loved ones at his bedside, Allen lost the fight when he died about 6 a.m., two days after being transferred from Albert Einstein Medical Center to a rehabilitation facility, said Auspitz.

Tales also provided follow-up coverage, including an interview with Mr. Allen’s sister, and on the filing of a federal lawsuit by Mr. Allen’s family. The article highlights the key facts that I find astounding, including the fact that the officer is still on desk duty:

The trouble started outside Bruno’s Pizza, at 19th Street and Cheltenham Avenue, about 9 that night, when [Sgt.] Ellison’s son was robbed of his pizza and punched in the face, according to police. The boy then told his dad what happened, police said.

Near the pizza shop, Ellison confronted a teen he suspected of mugging his son, 17-year-old Demetrius Haywood, who then sprinted up Renovo Street near 20th with a pizza to Allen’s home, Allen’s family has said.

Haywood told them that he had robbed a kid and that the dad was after him, family members said.

They say Ellison, behind the wheel of a black SUV with tinted windows, drove the wrong way up Renovo Street.

Ellison, on the force since August 2000, spotted some young people he believed had been involved in the robbery, police said.

He got out of the SUV, drew his gun and identified himself as a cop, according to the suit.

He approached Allen, who told him that he wasn’t involved in the robbery and then turned around to leave, according to the suit and witnesses.

Ellison fired once, shooting Allen in the back, and fled in his SUV, according to witnesses.

He later returned after other officers had arrived.

Ellison later told police that he thought Allen had reached for a weapon and that they had struggled, but witnesses said that Allen wasn’t armed and never touched the officer.

No gun was recovered from Allen’s home, which was searched twice.

During his hospital stay, Allen was charged with aggravated assault, hindering apprehension,weapons and related offenses and put under 24-hour police surveillance.

When I first heard this story, my common sensibilties were raised, but the attorney in me raged. Had this situation been reversed (an officer shot instead of an unarmed civilian), the shooter would already be knee-deep in pretrial hearings on a fast track to trial.

The fact that Ellison was off-duty, approached a crowd of people that he suspected may be involved in a situation with his son, and pulled a gun on them is inexcusable and the type of vigilante justice that the police warn the public against. Ellison’s excuse – that he thought Allen may have been armed – is equally unexcusable, because had he not taken a gun into a dispute (over pizza!) that many parents handle with words (or the filing of a complaint with the police) this tragedy could have been avoided.

Ellison’s leaving the scene speaks volumes about his actions and character.

BEA Recap – Pt. II

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This morning’s news coverage provides great coverage of BEA and the challenges facing the publishing industry.

Washington PostAt Publisher’s Convention, Is the Writing on The Wall?

“I think the publishing industry will have to change, but it’s still a viable industry . . . Whereas bookselling — nah. In 20 years, there won’t be bookstores. Science fiction is coming true. You’ll go into a house and you won’t see any books.”

USA Today: Power of Digital Looms over Fall Book Expo

At the downsized BookExpo, author and editor Tina Brown, whose latest venture is the website The Daily Beast, warned of “volcanic changes” facing “an industry challenged on every side.”

There was much talk of e-book reading devices and social networking, with mentions of “the tweetersphere” and “the need to leverage digital connects.”

“We’re all waiting for the next thing — whatever that is,” said novelist Richard Russo, who won a 2002 Pulitzer for Empire Falls and has That Old Cape Magic out Aug. 4. Meanwhile, he’s writing “until they tell me I’m obsolete, or maybe they won’t.”

BookReporter.com’s Carol Fitzgerald complained that too much attention is going to “devices and formats and digitizing, instead of books and authors, which is what people care about.”

 LA Times: BookExpo America reveals an industry in transition 

For major publishing conglomerates such as Random House, which scaled back its presence to nearly nothing, or Farrar, Straus and Giroux and Houghton Mifflin Harcourt, which opted off the floor altogether, there was a sense of retrenchment, a feeling that the business model had irrevocably shifted — although to what exactly, no one was quite sure.

But for independent publishers — from the midsized Grove Atlantic to the fiercely iconoclastic Akashic and the up-and-coming Two Dollar Radio — there was an air of possibility, the belief that the future was very much in play.

Although all of these articles provide good coverage of the problems facing the overall industry, what wasn’t discussed was the effect and impact on the multicultural niche – where we’re going, how we’re getting there and who will lead the way.

For example, the African-American Pavilion section of BEA was small (about two to three rows of publishers and authors) and located in the very back of the Javits Center. This location bothered me tremendously, as it was away from all of the action and evoked a sense of “out of sight, out of mind.” With the hundreds of booksellers traipsing up and down the halls of the BEA main floor, how many of them made it to the back of the building? I even had to ask where ”our” section was located.

Thus, at my first BEA, I felt the disconnect. And while I felt energized in what Plenary’s trying to do, I fully understood why publishers (and authors) of color are having the issues that we are. In light of the fact that a major distributor told me that there was a void in our market for more literary or contemporary content, I’m hopeful that future BEAs will include meaningful dialogue between multicultural publishers and our mainstream counterparts, as well as distributors, marketers, etc. But before that can happen, we have to evaluate ourselves and where we’re trying to take it.